It’s important not to be swayed by fake accounts or waste your time arguing with them, and identifying bots in a Twitter thread has become a strange version of the Turing test. Advances in machine learning hint at how bots could become more humanlike.
We live in the age of envy. Career envy, kitchen envy, children envy, food envy, upper arm envy, holiday envy. You name it, there’s an envy for it. Social media has created a world in which everyone seems ecstatic – apart from us. Is there any way for people to curb their resentment?
Where do we go when we dream? This surreal territory has proved fertile ground for a new generation of contemporary artists working at the intersection of architecture, interior design, and technology. The dreamscapes of these creations offer an intriguing insight into a new movement in digital art.
The video app offers an endless scroll of creativity and goofing off, told in 15-second snippets. What did five critics see when they went down the rabbit hole? Art, artistry and a lot of dancing.
Some of the latest research shows us that one reason for the polarisation we see today comes down to a few, incredibly influential minorities. For better or worse, small but incredibly influential groups can change the course of political debate. But is this leading us to hold more polarised views?
Unfold is an app and toolkit for storytellers. It’s used by celebs, influencers and other Instagram power users. Create beautiful and engaging stories from minimal and elegant templates. The app is available for iOS and Android.
During the 2016 election cycle, Trump’s team ran 5.9 million ads on Facebook, spending $44 million from June to November alone. He won the presidency by using the social network’s advertising machinery in exactly the way the company wanted. He’s poised to do it again.
What Instagram has allowed me to do is to employ a kind of digital physics, to warp my experience of space and time in my favor. In the offline world, I spend precious hours with her and then she disappears. But online, she is with me again when I post, and then again each time I receive a notification.
Social media has in a way made professional mourners of us all. While it is no one’s place to tell anyone else how to express sadness or pain, it sometimes feels there is a race to grieve. A race to care. A race to show that you have the most compassion.
How Donald Trump rode to power by parroting other people’s fringe ideas, got himself impeached for it—and might prevail anyway. Trump mines Twitter, plucking what he wants, “very comfortable with half thoughts,” “always looking for tidbits of information that he can use to his advantage.”
We’re spoiled, entitled, lazy, and failures at what’s come to be known as “adulting,” a word invented by millennials as a catchall for the tasks of self-sufficient existence. I couldn’t figure out why small, straightforward tasks on my to-do list felt so impossible. The answer is both more complex and far simpler than I expected.
At Myspace’s height, the website changed the way artists and fans found each other and how record labels and buzz-seeking blogs found fresh meat. Artists like Panic! At The Disco, Arctic Monkeys, Soulja Boy, Lily Allen, and Colbie Caillat would become pop stars in part because of their presence on the site.
The world’s biggest travel site has turned the industry upside down – but now it is struggling to deal with the same kinds of problems that are vexing other tech giants like Facebook, Google and Twitter. The future of TripAdvisor and similar enterprises seems less certain than it once did.
Once his stories go viral, the Facebook comments burst forth. And that’s when Christopher Blair the fake news writer becomes Christopher Blair the crusading left-wing troll. It’s then that he starts on the offensive. The faker becomes the exposer, weeding out and reporting the most extreme users among his fans.
In the past, the web was powerful and serious enough to land me in jail. Today it feels like little more than entertainment. The rich, diverse, free web that I loved — and spent years in an Iranian jail for — is dying. Why is nobody stopping it?
To thousands of young millennials from humble backgrounds, Jordan Belfort’s Wolf of Wall Street story became a blueprint for how to escape an unremarkable life on low pay. Their social media feeds display super-rich lifestyles, but what are these self-styled traders really selling?
It took me years to really understand where all the information I saw online was coming from. So this isn’t just a guide to spotting when something is fake. It’s a system for slowing down and thinking about information — whether that information is true, false, or something in between.
The war propaganda function in the United States is finely tuned. It’s sophisticated and most of all it blends into the media terrain. While the names of the countries changed, and of course each circumstance was different, there were some parallels that cried out for examination.
India’s T-Series built an online empire from Bollywood. Now it has to survive Netflix. Bhushan Kumar argues that T-Series has no reason to fear this invasion, and not just because it sits behind a moat filled with more than 200 million YouTube subscribers.
After the 2016 election, much was made of the threats posed to American democracy by foreign disinformation. Trump and his domestic allies were beginning to adopt the same tactics of information warfare that have kept the world’s demagogues and strongmen in power.
In April 2014, a public relations firm representing the Saudi Embassy asked Ahmad Abouammo, part of Twitter’s global media team, to verify an account belonging to a Saudi news personality. This request for a blue checkmark opened the door to a working relationship with the country’s government.
Internal documents show moderators were also told to censor political speech in TikTok livestreams, punishing those who harmed “national honor” or broadcast streams about “state organs such as police” with bans from the platform.
Lindsay Ellis is a video essayist. She makes videos commenting on films, TV shows, and other media. More than 860,000 people subscribe to her YouTube channel. But there is also this difficult aspect to what Ellis does: online hate.
There’s a cynical local-to-national news pipeline designed to mock the powerless under the guise of “odd” news stories. The public’s perception of crime is often significantly out of alignment with the reality. This is caused, in part, by frequently sensationalist, decontextualized media coverage.
The speed of machine learning is startling, often creepy. It is hard to tell what is creepier: the feeling that someone is somewhere out there, following your every step, or the fact that no one is, just the tracking device you carry with you in your pocket.
It looks like grownups can disregard the fear-mongering about the ill effects of digital media on kids. A 2017 study in Child Development found “little or no support for harmful links between digital screen use and young people’s psychological well-being.”
Jerry Saltz’s new book gives a series of short instructions or prompts, some banal and others provocative, on both looking at and making art, for audiences of any level of art fluency. The appetite for this kind of advice has only increased in the past decade, as the art world has become more visible to the wider public.
Brand deals have dried up; sponsored posts have been delayed. The great reckoning is unlikely to topple the influencer industry—by now, it’s already too big—but the business of influence is going to change.
The length of time our “collective attention” is on any given event has grown shorter, and topics become popular and then drop out of public view at an accelerating rate. It’s no surprise if it feels harder and harder to dwell deeply on any topic.
In a journal with unlined 8-by-10 paper, Zuckerberg sketched his mission and product design and explored how a tiny company might become a vital utility for the world. In detail, he described features called Open Registration and Feed, two products that would supercharge his company.
This is the first generation ever to admit that going out actually sucks. “More young people are choosing to spend a quiet evening at home.” We’re not even cool enough to get drunk: “A 2016 survey by Heineken found that when millennials do bother to venture outside, 75 percent drink in moderation.”
It’s not about foreign trolls, filter bubbles or fake news. If there is one thing on which virtually everyone is agreed, it is that the news and information we receive is biased. Technology encourages us to believe we can all have first-hand access to the ‘real’ facts – and now we can’t stop fighting about it.
Online, Steve Maraboli looks like the trope of a motivational speaker—photos of him speaking onstage, podcasts, apparent endorsements by celebrities, frequent mentions about best-selling books. He’s built his brand on an abundance of lies.
The coronavirus is providing a global rallying cry for conspiracy theorists and far-right extremists on both sides of the Atlantic. People seizing on the pandemic range from white supremacists and anti-vaxxers in the U.S. to fascist and anti-refugee groups across Europe.
Dax Flame was only 15 when he became YouTube royalty – his channel was among the top 20 most subscribed in the early years of the site. But 13 years later, his fortunes have changed – he’s working as a waiter and trying to scrape together money just to get by.
For Japanese designer Manami Sasaki, making toast is a time to slow down and get creative. Every morning, she’s been using slices of bread as her canvas to create incredible breakfasts that look too pretty to eat.
Ramzan Kadyrov is the leader of Chechnya. He is a Putin proxy that has been in charge of the Russian republic since 2007. Despite revelations about kidnapping, torturing and killing gay people, Kadyrov has continued to maintain an upbeat profile on Instagram, where he is a prolific user.
TikTok has come out of nowhere and may take many people by surprise. In this video, Cold Fusion will explore where it came from, it’s parent company ByteDance and the controversy surrounding it.
Many US-based companies continue to consign their moderators to the margins, shipping their platforms’ digital waste to “special economic zones” in the Global South. The murky history of moderation, and how it’s shaping the future of free speech.
Adriene Mishler was already huge before the pandemic – her channel, which has more than 7 million subscribers, is the first to pop up when you search for “yoga” on YouTube – but the lockdown has catapulted her to a new level of fame.
