Michael Oswald’s film The Spider’s Web reveals how at the demise of empire, City of London financial interests created a web of secrecy jurisdictions that captured wealth from across the globe and hid it in a web of offshore islands. Today, up to half of global offshore wealth is hidden in British jurisdictions.
The Natural History Museum’s Wildlife Photographer of the Year competition just named the winner of this year’s LUMIX People’s Choice Award, and the perfectly-timed photo by wildlife filmmaker and photographer Sam Rowley is just too good to keep to ourselves.
It wasn’t coronavirus that hobbled Deliveroo: it was its small margins and the crippling costs of competing both in its home market and abroad. In the UK, there are three big players in the market, in the US there are half a dozen, in Europe there are over 20.
She tormented studio executives, actors, makeup artists, security guys, photographers, screenwriters, athletes, even bobsledders and scuba divers for years—until corporate investigator Nicoletta Kotsianas was put on the case.
The first thing that strikes anyone who regularly rides on the London Underground is how clean it looks in Mike Goldwater’s photographs. Homeward bound tourists keen to recapture the thrill of minding the gap and cooling their heels on overcrowded platforms are not offered a range of signature scents.
Compass Pools has unveiled a concept for a four-sided infinity pool atop a London skyscraper, accessed via a submarine-style door. Called Infinity London, the project is described by the swimming pool manufacturer as “only building in the world to incorporate a 360-degree infinity pool”.
The Hatton Garden Heist is one of the highest value burglaries ever to have taken place in Britain. The plot reads like a Hollywood movie and involved millions of pounds of diamonds and a group of ageing villains.
Having been a fixture in and around the banks since the rumors of trouble first started circulating, photographer Stephen McLaren was embedded on the frontlines when what would become the 2008 Global Financial Crisis began to first take shape.
Inigo Philbrick made his money betting big on a rise in price for a few artists, notably Stingel, who is known for his seemingly endless series of indistinguishable paintings of wallpaper, and Wool, whose most famous text painting fittingly spells out the word FOOL.
With the help of fake reviews, mystique and nonsense, I was going to do it: turn my shed into London’s top-rated restaurant on TripAdvisor. And then serve customers Iceland ready meals on its opening night.
Bertie Taylor’s photos explore how people live with planes thundering over their heads, as well as the community of people who are drawn to the area. The images are startling, and he has managed to portray the juxtaposition between peaceful suburban life and the constant presence of roaring aircraft.
A creative team in London is hijacking the covers of celebrity and gossip magazines to raise awareness of the harmful impact that media can have on people’s mental health. They were inspired by news that hair salons across the UK have boycotted “toxic” gossip magazines following the death of presenter Caroline Flack.
London-based media technology startup Lightvert has created a new method for using unexpected and unusual locations. Lightvert’s ECHO technology projects images into the air. Moreover, the images are particular to that location and cannot be seen even a few feet away from the optimal viewing position.
As the short-term rental goldrush gathers pace, Airbnb empires are being rapidly scaled and monetized. This is the curious tale of a man called Christian, the Catholic church, David Schwimmer’s wife, a secret hotel and an Airbnb scam running riot on the streets of London.
The Bunhill 2 Energy Centre has started capturing excess heat from the London Underground to help warm over 1,000 buildings in the UK capital. A perforated red-metal pavilion distinguishes the Bunhill 2 Energy Centre, which occupies the site of the disused City Road tube station.
Hellbanianz belong to the “retail game” of the cocaine trade. They are the street dealers and enforcers of the Mafia Shqiptare, the Albanian organised criminal syndicates who, the National Crime Agency believe, are consolidating power within the UK criminal underworld and on their way to a near total takeover of the UK’s £5bn cocaine market.
Twenty years later, it is still a byword for New Labour hubris, squandered resources and hideously bungled planning. In fact, it was a byword for all of these things before it even opened. It is clear that the prevailing narrative that the Dome was a total failure is not – or at least not quite – the full story.
During the 1970s and first half of the 80s photographer Neil Martinson recorded the lives of those who lived and worked in Hackney, east London. At that time, children still played in the street and on old bomb sites yet to be developed.
At 22, he saved the internet from what was the worst cyberattack in history: a piece of malware called WannaCry. It was Hutchins who had found and triggered the secret kill switch contained in its code, neutering WannaCry’s global threat immediately. Then he was arrested by the FBI.
Join Fred Mills inside London’s new Tottenham Court Road (TCR) station – part of the £18BN Elizabeth Line that is being constructed by Crossrail beneath the UK’s capital.
On entering the “store” visitors stepped into booths equipped with “magic mirrors,” allowing them to virtually slip into something more (and sometimes less) comfortable: one of four looks rendered by digital fashion pioneers and in some instances their brand partners.
After decades among the hidden homeless, Dominic Van Allen dug himself a bunker beneath Hampstead Heath, a vast open space that sits as a sort of green beehive haircut on top of metropolitan central London. His life would get even more precarious.
