Photos

Bruce Gilden’s work promised a vision of New York street life on a par with Diane Arbus and Robert Frank, but for nearly 40 years this early body of work – comprising around 600 rolls of film – lay forgotten, only rediscovered last year when Gilden moved out of his Manhattan loft.

In October 2012, the space shuttle Endeavour is on its last mission, a 12-mile creep through Los Angeles city streets on a 160-wheeled carrier. It was passing through neighborhoods and strip malls, headed toward its final destination, the California Science Center in South Los Angeles.

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In 1977 the photographer Robert Whitman was asked to take some promo shots of an unknown 19-year-old musician called Prince Rogers Nelson. Over a couple of days, he shot the 19-year-old musician all over Minneapolis. Whitman was the first professional photographer ever to shoot Prince.

Mauritania’s Train du Desert is one of the longest and heaviest trains in the world. Completed in 1963, the train operates daily between Nouadhibou on the Atlantic coast and the iron ore mines in Zouerat, in the middle of the country—a journey of around 450 miles that takes about 13 hours each way.

In the new book Magnum Streetwise (Thames & Hudson), editor Stephen McLaren brings together some of the best works made by the cooperative over the past 70 years, exploring the continuums of urban life that exists across time and space.

Octopus-hunting freedivers, mounds of shark fins, and a close encounter with a leopard seal are among the judges’ selections for Oceanographic Magazine’s ocean photography awards.

Ever since she became the first woman photographer working for a daily Italian newspaper, Letizia Battaglia has used her camera as a tool for the people and a weapon against those who sought to destroy them.

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Bertie Taylor’s photos explore how people live with planes thundering over their heads, as well as the community of people who are drawn to the area. The images are startling, and he has managed to portray the juxtaposition between peaceful suburban life and the constant presence of roaring aircraft.

Intrigued by the dedication of an airline crew who only fly to two destinations, photographer Arthur Mebius documents the experience of flying with North Korea’s Air Koryo. The photo series ‘Dear Sky’ offers an insight to Air Koryo’s aircraft and crew, from the perspective of Mebius as a passenger.

Rare is it to find a photograph showing a relaxed, almost spirited look at the Vietnam War. Yet, here are photographs of men, taken in the quiet, downtime of war. Many of these photographs, originally from old photo slides, were digitized by Kendra Rennick.

When American photographer Jamie Johnson visited Ireland for the first time in 2014; she immediately felt connected to the Irish travelers living there. She spent the next five years going back to Galway, Limerick, Cork and Tipperary, taking portraits of the communities, particularly the children.

Shot from the sky, Bernhard Lang’s aerial views of Germany’s steel heartlands capture the shapes and symmetry of the country’s intense industry. The German steel industry is the largest in Europe – Lang’s shots were taken over the huge ThyssenKrup Stahlwerk in Duisberg, North Rhine-Westphalia.

Chilean photographer Gonzalo Palavecino lived in Dubai for a while and, once his connection with photography was restored, he decided to show the “other side” of the apparent opulence of Dubai in a publication called ‘Old Dubai’.

Stunning street scenes by James Takumi Shyegun, a talented photographer, videographer, and model from Tokyo, Japan. Takumi focuses mainly on urban, architecture, and street photography.

It’s called ‘San Francisco’, and it was taken in Alamo Square Park in 1956. It is an unruly and liberating photograph, both loaded and elusive, and quite unlike any picture that had ever been published before, at least in an art setting.

Ukrainian Railroad Ladies is a series of portraits of women who work as traffic controllers and safety officers at railroad crossings in Ukraine. The women spend their long shifts in the little houses built specifically for them along the tracks.

Photographer Maria Lax comes from a northern Finnish town where UFO sightings were common – so she set about looking for answers. “I’m from a small town in northern Finland surrounded by a vast, sparsely populated wilderness. Most pass through the town without ever knowing it was a hotspot for UFO sightings in the 1960s.”

SIGNS, a new zine of pictures taken in Japan from Paris-born photographer Lucie Rox, is about the joy of exploring new places. It’s a series that encapsulates the feeling of traveling and “being taken by the novelty of the streets, objects and people living their everyday life in front you.”

Though color film had already been used for decades, it was considered crass by the heavyweights of black-and-white photography and was most often used in advertising or by amateurs. Shore is often included in the cohort of artists that brought about the rise of color in the 70s, but not given credit for his prescience.

Theo Derksen’s Disneyfication has been over twenty years in the making. A book of vivid color double-page spreads, it offers a global vision of the oversize invasion of visual imagery in metropolises including Bucharest, Berlin, Egypt, Tokyo, Dubai, Chongqing, Shanghai, Beijing, Singapore and Las Vegas.

In their haunting upcoming show, The City and Other Stories, US artists Lori Nix and Kathleen Gerber imagine what the world might look like when we’re all gone. But these photographs aren’t images of real places; they’re model sets that they’ve built collaboratively at their studios in Brooklyn and Cincinnati.

His first commission documented the Compton Cowboys, a group of people who created a ranch in a notoriously violent part of Los Angeles. His latest Wrangler commission was in Marfa, Texas, where he was tasked with capturing the Wall of Death group – America’s original extreme motorcycle show.