Read the best media & advertising articles from around the internet, or watch the most insightful media videos from platforms like Youtube, Vimeo or leading media publishers like BBC, NPR, The New York Times, The Guardian, LA Times, Washington Post and many more.
Why has Scooby-Doo—described by the New York Times film critic A. O. Scott in 2002 as “one of the cheapest, least original products of modern American juvenile culture”—outlasted not only such Hanna-Barbera brethren as The Flintstones and Yogi Bear, but also pretty much everything else on television?
Amnesty International is known for its provocative ads for human rights. In its campaign for the freedom and democracy of Syria, war zones where housing and huge blocks of land are destroyed have been depicted in ads.
From central Iowa radio pioneer to alleged scam artist. Money didn’t always belong to Tirrell, according to numerous court judgments against him. He defrauded eight people out of $1.5 million.
Woodstock 50 had nearly every resource a festival could ask for: a storied brand name, financial backing from a multinational communications company, and agents eager to sign up their artists for sizable paychecks. But it turned into a slow-moving train wreck. Where did it all go wrong?
This Hotel lists hotel, hostel and bed & breakfast recommendations from trusted experts like New York Times, Lonely Planet, Fodor’s, Frommers, CNN and many more.
Sex, showering, breaking up: Tanya Corrin and her boyfriend Josh Harris set up cameras all over their apartment for an internet project that pre-empted everything from influencer culture to digital sex work and reality TV.
It took me years to really understand where all the information I saw online was coming from. So this isn’t just a guide to spotting when something is fake. It’s a system for slowing down and thinking about information — whether that information is true, false, or something in between.
In cities around the world, advertising is everywhere. We may try to shut it out, but it reflects who we are (or want to be) and connects us to the urban past. Local signs connect us to the past, to vernacular styles, to folklore. The best examples catch our eye as children and stay with us.
How an African-American psychiatrist helped design a groundbreaking television show as a radical therapeutic tool for helping minority preschoolers.
In the rapid-fire age of digital everything, with young listeners eager for discovery, the ground has shifted beneath record companies’ feet and catalog departments are being called upon to be hubs of innovation and fresh creativity.
As the distribution model for entertainment is remade, a revolutionary ardour has seized the industry: the choice is to win the streaming battle against the likes of Netflix, or face commercial oblivion. The immediate result has been clear: more television than ever before. There were 496 scripted TV shows made in the US last year, more than double the 216 series released in 2010.
Amid the gathering storms, there is growing criticism that mainstream TV news organizations and storytellers in Hollywood haven’t done enough to raise public awareness of the need for action.
Some of McDonald’s restaurants in Sweden have beehives on their rooftops. The initiative started out locally but is now growing. To celebrate the initiative which is part of McDonald’s Swedens sustainability work, they created what could be the world’s smallest McDonald’s – a fully functioning beehive.
‘Friends’ signals a harsh embrace of anti-intellectualism in America, where a gifted and intelligent man is persecuted by his idiot compatriots. And even if you see it from my point of view, it doesn’t matter. The constant barrage of laughter from the live studio audience will remind us that our own reactions are unnecessary, redundant.
Peru has the highest UV radiation levels in the world. So to highlight the need for sunblock, agency McCann Lima partnered with 21 brands that advertise on the Panamericana Sur, the busiest highway linking Lima and the country’s beaches, to hijack their billboards with the addition of sunblock.
The Guardian’s seven-page feature on the island of San Serriffe looked like any travel feature that newspapers were printing at the time. But not all was as it seemed. The feature was an elaborate April Fool’s Day joke. The island of San Serriffe did not exist and everything was completely fabricated.
For more than four decades, Page Six has ruled the world of gossip about the famous and powerful. In an era when celebrities control the narrative and “power” is a dirty word, can it survive?
It’s not about foreign trolls, filter bubbles or fake news. If there is one thing on which virtually everyone is agreed, it is that the news and information we receive is biased. Technology encourages us to believe we can all have first-hand access to the ‘real’ facts – and now we can’t stop fighting about it.
Brand deals have dried up; sponsored posts have been delayed. The great reckoning is unlikely to topple the influencer industry—by now, it’s already too big—but the business of influence is going to change.
I write speeches for people who can barely read their scripts because public speaking makes them nervous. The words that do not matter when I speak for myself are amplified when I put them in the mouths of others. Because as anyone knows, it’s not just the words that matter. It’s who says them, and when, and how.
You have to dial back to 1960 to find the major precedent: when star jazz pianist Erroll Garner sued Columbia Records for breaking his contract — and won after a nearly three-year battle in a New York Supreme Court decision. It was a landmark case that has been largely forgotten.
A simple plastic bag seems harmless, but it can represent extreme suffering – and even death. Depicting this unfortunate truth through strong images, Sea Shepherd, an NGO focused on the conservation of marine wildlife, is launching a plastic awareness campaign.
Burger King unveiled a global ad campaign aimed at highlighting its commitment to dropping all artificial preservatives. The chain’s anti-preservatives pledge breaks just about every rule in advertising.
In John Brunner’s 1968 novel Stand on Zanzibar, for instance, he peers ahead to imagine life in 2010, correctly forecasting wearable technology, Viagra, video calls, same-sex marriage, the legalization of cannabis, and the proliferation of mass shootings.
The technology to manipulate video has become so sophisticated that words can literally be put into people’s mouths. Mark Kelley explores how it’s done and why the implications have led the U.S. Defence Department to work to protect itself against the “weaponization” of fake news.
A mobile-storytelling platform called Quibi has loomed on the content horizon, promising that, when its app launches this spring, it will be a home to a huge library of short-form shows made specifically for your phone. But Snapchat has been operating in that space for years. It’s harder than you’d think.
In 2012, a catchy New Wave anthem appeared on the internet with no information about who wrote or recorded it. Amateur detectives have spent thousands of hours since trying to figure out where it came from — with little luck. Inside the question that’s been driving the internet crazy for years.
What lesson are book publishers taking away from the controversy raised by American Dirt, Jeanine Cummins’ novel about a Mexican woman and her son seeking to cross the border? Will the furor change the way editors think about acquiring novels, or does the book’s sales success obviate those concerns?
“1917” stars George MacKay, Dean-Charles Chapman, Colin Firth, and Benedict Cumberbatch and was filmed to look like one continuous shot. Cinematographer Roger Deakins explains how he and director Sam Mendes did it, from digging up a mile of trenches to attaching cameras to cranes and drones.
A creative team in London is hijacking the covers of celebrity and gossip magazines to raise awareness of the harmful impact that media can have on people’s mental health. They were inspired by news that hair salons across the UK have boycotted “toxic” gossip magazines following the death of presenter Caroline Flack.
1982’s Disco Jazz has been reissued. “Aaj Shanibar,” one of its four tracks, has also started to spread through the strange rabbithole that is YouTube’s recommendation algorithm. With the benefit of time and technology, “lost” songs reach a new generation of listeners halfway around the world.
The reason we might all be using Netflix today could have a lot to do with a marketing stunt involving the grand jury testimony that got Bill Clinton impeached. Netflix’s wild bet on political scandal succeeded in almost every single way a story like this possibly could.
They wanted a spy at the center of the industry. He had bigger ambitions. The wild true story of wheeling and dealing double agent Boris Morros and the woman who became his nemesis.
Despite their popularity, it’s still impossible to find paperback versions of many new books when they debut. It’s a common practice among publishers to release new titles as hardcovers and publish the paperback edition about a year after the initial print run.
There’s a cynical local-to-national news pipeline designed to mock the powerless under the guise of “odd” news stories. The public’s perception of crime is often significantly out of alignment with the reality. This is caused, in part, by frequently sensationalist, decontextualized media coverage.
Fake publications are corrupting the world of research—and influencing real news. At the most benign level of the junk industry are papers, published in journals with no effective screening process, that are obvious nonsense.
How to cover the rise of a political leader who’s left a paper trail of anti-constitutionalism, racism and the encouragement of violence? Does the press take the position that its subject acts outside the norms of society?
Gig economies are ersatz structures, designed to skirt labor laws and offload risk and expense onto workers themselves. They serve the whims of capital.
On July 21, 2019, ‘Avengers: Endgame’ became the highest-grossing film ever, on its way to adding nearly $2.8 billion to the Marvel Cinematic Universe’s $22.5 billion global box office total. The 2010s were defined by this superhero takeover—though the plans for it were laid even before the decade began.
The BBC decided to give Dracula fans a fright with two billboards of the show that come to life at night. A shadow of the infamous vampire appears in the center of the advert, which looks as though it has been cast by a number of wooden stakes plunged into the advert.
