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A creative team in London is hijacking the covers of celebrity and gossip magazines to raise awareness of the harmful impact that media can have on people’s mental health. They were inspired by news that hair salons across the UK have boycotted “toxic” gossip magazines following the death of presenter Caroline Flack.
A mobile-storytelling platform called Quibi has loomed on the content horizon, promising that, when its app launches this spring, it will be a home to a huge library of short-form shows made specifically for your phone. But Snapchat has been operating in that space for years. It’s harder than you’d think.
The background music industry – also known as music design, music consultancy or something offered as part of a broader package of “experiential design” or “sensory marketing” – is constantly deciding what we hear as we go about our everyday business. The biggest player in the industry, Mood Media, supplies music to 560,000 locations across the world, from Sainsbury’s to KFC.
At Myspace’s height, the website changed the way artists and fans found each other and how record labels and buzz-seeking blogs found fresh meat. Artists like Panic! At The Disco, Arctic Monkeys, Soulja Boy, Lily Allen, and Colbie Caillat would become pop stars in part because of their presence on the site.
This Hotel lists hotel, hostel and bed & breakfast recommendations from trusted experts like New York Times, Lonely Planet, Fodor’s, Frommers, CNN and many more.
In John Brunner’s 1968 novel Stand on Zanzibar, for instance, he peers ahead to imagine life in 2010, correctly forecasting wearable technology, Viagra, video calls, same-sex marriage, the legalization of cannabis, and the proliferation of mass shootings.
Amid the gathering storms, there is growing criticism that mainstream TV news organizations and storytellers in Hollywood haven’t done enough to raise public awareness of the need for action.
A brilliant 2008 campaign by World Wildlife Fund (WWF) has been resurfacing. The campaign, called WWF Japan – Population by pixel, was created by the agency Hakuhodo C&D / Tokyo. Inspired by their work, Imgurian JJSmooth44 made a follow-up to their project and it’s just as powerful as the original.
A simple plastic bag seems harmless, but it can represent extreme suffering – and even death. Depicting this unfortunate truth through strong images, Sea Shepherd, an NGO focused on the conservation of marine wildlife, is launching a plastic awareness campaign.
The report, “The universal decay of collective memory and attention,” concludes that people and things are kept alive through “oral communication” from about five to 30 years. They then pass into written and online records, where they experience a slower, longer decline.
Dirty Dancing’s setting, Kellerman’s, is based on the numerous all-inclusive vacation spots aimed at Jewish travelers that dotted the upstate New York landscape throughout much of the 20th century—a constellation of resorts commonly known as the Borscht Belt.
The TV legend possessed an extraordinary understanding of how kids make sense of language. He insisted that every word be scrutinized closely, because he knew that children—the preschool-age boys and girls who made up the core of his audience—tend to hear things literally.
The coronavirus is providing a global rallying cry for conspiracy theorists and far-right extremists on both sides of the Atlantic. People seizing on the pandemic range from white supremacists and anti-vaxxers in the U.S. to fascist and anti-refugee groups across Europe.
With the help of fake reviews, mystique and nonsense, I was going to do it: turn my shed into London’s top-rated restaurant on TripAdvisor. And then serve customers Iceland ready meals on its opening night.
AI will tell you who to cast and predict how much money you’ll make. Despite skepticism about specific applications, the tide might be turning. A single factor has convinced Hollywood to stop dismissing big data: Netflix.
In the past, the web was powerful and serious enough to land me in jail. Today it feels like little more than entertainment. The rich, diverse, free web that I loved — and spent years in an Iranian jail for — is dying. Why is nobody stopping it?
You have to dial back to 1960 to find the major precedent: when star jazz pianist Erroll Garner sued Columbia Records for breaking his contract — and won after a nearly three-year battle in a New York Supreme Court decision. It was a landmark case that has been largely forgotten.
During the 2016 election cycle, Trump’s team ran 5.9 million ads on Facebook, spending $44 million from June to November alone. He won the presidency by using the social network’s advertising machinery in exactly the way the company wanted. He’s poised to do it again.
Because fact-checking these days is primarily the domain of legacy print publications, it retains that sheen of legitimacy and seriousness. To fact check is to assure readers, writers, and editors that great care is being taken.
Quibi is an audacious new streaming service for high-quality video meant to be viewed on your phone. The business raised giant pools of money because “Hollywood quality is expensive, baby.” Meg Whitman’s last act is her biggest bet yet.
The first of StartRocket’s space-based ads could go up by 2021. The ads — a bit like skytyping, only in low-Earth orbit rather than in the atmosphere — would be visible only at night but could be seen from just about anywhere on the planet.
The band ditched a mega campaign in favor of fan letters and ads in the classified section of newspapers in Devon, North Wales, Sydney and more. Guitarist Jonny Buckland worked at the North Wales Daily Post – the newspaper of choice for this campaign.
Bob Greenblatt, Kevin Reilly and Sarah Aubrey — the executives leading the charge for WarnerMedia’s ambitious HBO Max streaming venture — outline their vision for a global platform to compete with Netflix, Amazon, Disney and others in TV’s new frontier of the direct-to-consumer cavalcade.
I write speeches for people who can barely read their scripts because public speaking makes them nervous. The words that do not matter when I speak for myself are amplified when I put them in the mouths of others. Because as anyone knows, it’s not just the words that matter. It’s who says them, and when, and how.
How Cambridge Analytica used your Facebook data to help the Donald Trump campaign in the 2016 election. A then little-known British company sent out a press release: “We are thrilled that our revolutionary approach to data-driven communication has played such an integral part in President-elect Trump’s extraordinary win.”
The Saturn V rocket carrying astronauts Neil Armstrong, Edwin “Buzz” Aldrin and Michael Collins launched from the Kennedy Space Center in Florida at 9:32 a.m. on July 16, 1969 — and just four days later, man first set foot on the moon. The moon mission was a milestone in human history. But it was also a groundbreaking moment in broadcast television.
They wanted a spy at the center of the industry. He had bigger ambitions. The wild true story of wheeling and dealing double agent Boris Morros and the woman who became his nemesis.
Google Chrome extensions promised useful tasks like converting webpages into PDFs. But once installed, they injected ads and generated massive amounts of invalid traffic, the ad industry’s term for fake or manipulated views, users, or clicks. More than 60 of those extensions were owned by Daniel Yomtobian.
When a group of schoolboys were marooned on an island in the Pacific Ocean in 1965, it turned out very differently from William Golding’s bestseller which sold tens of millions of copies.
The entertainment industry’s reigning super-agent planned to put his firm—and the very power structure of Hollywood—on the line with an audacious, now scuttled public offering. With that future on hold and the likes of Netflix and Disney commanding more ground by the day, what’s an ambitious modern macher to do?
How an African-American psychiatrist helped design a groundbreaking television show as a radical therapeutic tool for helping minority preschoolers.
Philip Roth’s classic novel, newly adapted by HBO, envisions a world in which Charles Lindbergh wins the 1940 presidential election. Roth’s account of a celebrity-turned-politician winning the presidency on a platform of fearmongering and “othering” proved more prophetic than he could have predicted.
“1917” stars George MacKay, Dean-Charles Chapman, Colin Firth, and Benedict Cumberbatch and was filmed to look like one continuous shot. Cinematographer Roger Deakins explains how he and director Sam Mendes did it, from digging up a mile of trenches to attaching cameras to cranes and drones.
What lesson are book publishers taking away from the controversy raised by American Dirt, Jeanine Cummins’ novel about a Mexican woman and her son seeking to cross the border? Will the furor change the way editors think about acquiring novels, or does the book’s sales success obviate those concerns?
Extremism flourishes on Amazon’s self-publishing arm. The company gives extremists and neo-Nazis banned from other platforms unprecedented access to a mainstream audience — and even promotes their books.
For the opening of the Swedish retailer’s new outpost in Jebel Ali, a large commercial port located on the harbor of Dubai, the brand wanted to encourage shoppers to journey to the new store by allowing them to use the time it took for them to get there as currency.
BrewDog has come to be known for its bold one-liners and playful spin on typical communications. The ballsy beer brand has teamed with Uncommon on a tongue-in-cheek campaign that doesn’t really say much at all – on purpose.
Twenty years after it sputtered onto the web, it’s now a de facto pillar in our fact-checking infrastructure. Its pages often top Google search and feed the knowledge panels that appear at the top of those results. Big Tech’s own efforts to stop misinformation also rely upon Wikipedia.
Woodstock 50 had nearly every resource a festival could ask for: a storied brand name, financial backing from a multinational communications company, and agents eager to sign up their artists for sizable paychecks. But it turned into a slow-moving train wreck. Where did it all go wrong?
In a world of constant self-surveillance and curation, we may never see the Parises, the Nicoles, the Taras in the way we once did. The It Girl exists within the moral grey areas of life, but with the existence of social media, such grey areas no longer exist for her to live in – everything is now black and white, good or bad.
