Read the best art articles from around the internet, or watch the most insightful art videos from platforms like Youtube, Vimeo or leading art publishers like The Art Newspaper, Artsy and WePresent.
Known affectionately as the ‘photie man’ across Merseyside, Tom Wood worked in the region at a time of great social and political change. From buzzing match days at Anfield to couples snogging during nights out on the Wirral, a new retrospective of his work highlights his bond with the city.
Hagia Sophia has been the ‘apple of discord’ between the Greeks and the Turks, the ‘east’ and the ‘west’ for 567 years, but as history likes to repeat itself we are now witnessing a revival of this old dispute. A museum has been converted to a mosque.
What happened at the Gardner Museum has become the most famous art heist ever, not only because of the money involved—$500 million, making it the largest art theft in history—but also because of the countless FBI agents, private detectives and art dealers who’ve tried and failed to solve it.
As art institutions continue to raise ticket prices and roll out blockbusters, we may come to see shows that will be curated entirely by optimized algorithms. What happens when a museum becomes curator-less? Will this be the end of art history as we’ve known it, or the dawn of a techno renaissance?
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To shed light on the essential workers who are healing the sick, stocking our groceries, delivering our packages and cleaning our streets, there is a new political art campaign called Immigrants Are Essential. It’s a project of non-profits Resilience Force and the National Immigration Law Center.
Vincent van Gogh was hardly alone in his pursuit of truth through self-portraiture, and he is not the only artist to have done so. And sometimes, self-portraits created during the final stages of a career can prove to be the most truthful images of artists.
Teri Culletto, aka the Vineyard Baker, creates art with focaccia bread as her canvas. Using fresh herbs and vegetables, she has crafted a series of Vincent van Gogh-inspired loaves she calls Van Dough that features floral imagery as both a way to add surface decoration and flavors to her baking.
For several years in my 20s, off and on, I was a professional statue. Statue was both a noun and a verb. I was a statue; statuing was what I did. My job was, basically, not to react. Unless one of the tourists gave me what I wanted — a tip in the plastic lemonade pitcher at my feet — I gave them nothing.
For Japanese designer Manami Sasaki, making toast is a time to slow down and get creative. Every morning, she’s been using slices of bread as her canvas to create incredible breakfasts that look too pretty to eat.
Where do we go when we dream? This surreal territory has proved fertile ground for a new generation of contemporary artists working at the intersection of architecture, interior design, and technology. The dreamscapes of these creations offer an intriguing insight into a new movement in digital art.
French artist Lise Grossmann has created a humorous way to keep your favorite people close. She creates custom temporary tattoos of peoples’ faces that you can wear on your own skin. She has created over 10,800 portraits for people all over the world.
Frances Glessner Lee created dollhouses with dead dolls. Her miniatures significantly advanced forensics and forensic science, but they aren’t just CSI curios – they’re complex, confounding works of art that manage to be morbid and beautiful at the same time.
‘Le Mystère Picasso’ is a remarkable documentary film made by French director, Henri-Georges Clouzot, in which stop-action and time-lapse photography are used to capture Picasso at work. Not many of the works he created for the documentary survive but here’s how one of them came to be.
Jerry Saltz’s new book gives a series of short instructions or prompts, some banal and others provocative, on both looking at and making art, for audiences of any level of art fluency. The appetite for this kind of advice has only increased in the past decade, as the art world has become more visible to the wider public.
When a thief stole a multimillion-dollar painting by Vincent van Gogh from a small museum in the Netherlands, Octave Durham almost immediately found himself a person of interest. “It’s not a coincidence, because most of the time I did it. But now I’m retired.”
Ficre Ghebreyesus had no art gallery representation during his lifetime. Now his widow is working with Galerie Lelong in New York to show the work that summed up his search for identity.
Bella McGoldrick has a series of hyper-realistic drawings, using crumpled bags, boxes, and concert tickets as subject matter. The wrinkled, smashed, and folded material presents a complex web of shadows and reflections, making the drawings all the more difficult to compose.
Photographer Gabor Nagy took his new drone with him on an adventure to Tuscany, to see if he could capture this instantly-recognizable Italian landscape from a different perspective. The result was a beautiful series of eye-catching aerial photos called “Tuscany from Above.”
Thieves stole an 1884 oil painting by Vincent van Gogh called “The Parsonage Garden at Nuenen in Spring” from the Singer Laren art museum near Amsterdam. What do the criminals do with a stolen painting, and how could they get caught?
From seasoned animator Carlos Baena (ILM, Pixar) and a crowd-sourced community of over 100 people, “La Noria” tells the tale of a grieving young boy who one day encounters dark creatures that turn his life upside down.
The incentive to be a proficient forger has soared; a single, expertly executed old master knockoff can finance a long, comfortable retirement. The technologies available to abet the aspiring forger have also improved. Forgeries have got so good – and so costly – that Sotheby’s has brought in its own in-house fraud-busting expert.
For nearly three decades, Cuban painter Tomás Sánchez has been painting serene landscapes of clam waters and verdant forests full of towering palms and dense shrubs.
When infamous Italian politician Cesare Borgia brought Leonardo da Vinci — the guy who drew this portrait — to the city of Imola, it was as a military engineer. When Leonardo was installed at Borgia’s newly acquired fort, one of his duties was to help Borgia learn the territory.
Is she turning towards you or away from you? No one can agree. She’s the subject of Dutch Master Johannes Vermeer’s “Girl with the Pearl Earring,” a painting often referred to as the ‘Mona Lisa of the North.’ But what makes this painting so captivating?
In 2012, a catchy New Wave anthem appeared on the internet with no information about who wrote or recorded it. Amateur detectives have spent thousands of hours since trying to figure out where it came from — with little luck. Inside the question that’s been driving the internet crazy for years.
What do we mean when we call an artwork a masterpiece? Who gets to decide what becomes one? Who makes them? And is it still a constructive label to dole out when we talk about art? What Makes a Masterpiece?
Inigo Philbrick made his money betting big on a rise in price for a few artists, notably Stingel, who is known for his seemingly endless series of indistinguishable paintings of wallpaper, and Wool, whose most famous text painting fittingly spells out the word FOOL.
Deanna Dikeman’s parents sold her childhood home, in Sioux City, Iowa, in 1990, when they were in their early seventies. They moved to a bright-red ranch house in the same town. Dikeman, a photographer then in her thirties, spent many visits documenting the idyll of their retirement.
It’s called ‘San Francisco’, and it was taken in Alamo Square Park in 1956. It is an unruly and liberating photograph, both loaded and elusive, and quite unlike any picture that had ever been published before, at least in an art setting.
In 1969, a 14-year-old Beatle fanatic named Jerry Levitan snuck into John Lennon’s hotel room in Toronto and convinced him to do an interview. 38 years later, Levitan, director Josh Raskin and illustrators James Braithwaite and Alex Kurina have collaborated to create an animated short film.
“Dirty Machines: The End of History” a highly polished sci-fi teaser for a longer-form series that envisions a future where time travel has become a form of tourism. It’s stylish, but beyond the undeniable aesthetic panache, Matthew Olson’s film feels completely transformative as a world-building exercise.
The major chains — AMC, Regal Entertainment and Cinemark — no longer rely on teenage ushers to keep the floors from getting sticky. Instead, they have turned to a vast immigrant workforce, often hired through layers of subcontractors. That arrangement makes it almost impossible for janitors to make a living wage.
Though color film had already been used for decades, it was considered crass by the heavyweights of black-and-white photography and was most often used in advertising or by amateurs. Shore is often included in the cohort of artists that brought about the rise of color in the 70s, but not given credit for his prescience.
Street art has transformed Quinta do Mocho, an area once plagued by crime and unemployment. In 2014, local officials decided to improve the district’s image, and invited Portuguese and foreign artists to paint murals for what they now call ‘the biggest open-air art gallery in Europe’.
“The Turning Point” explores climate change, the destruction of the environment and species extinction from a different perspective. Written, directed and animated by award-winning UK based illustrator and animator Steve Cutts.
A year and a half in the making, the Pepsi Pavilion drew eager crowds and elicited effusive reviews. Just a month after the opening, the partnership with Experiments in Art and Technology—E.A.T.—collapsed amidst a flurry of recriminating letters and legal threats.
It seems artists have found a new canvas on the floors and lines of basketball courts. From Modernism inspired graphics to Memphis, Pop, and styles in between, no one can accuse these courts of looking boring.
