Using Artificial Intelligence To Create Art
Artist Refik Anadol doesn’t work with paintbrushes or clay. Instead, he uses large collections of data and machine learning algorithms to create mesmerizing and dynamic installations.
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Artist Refik Anadol doesn’t work with paintbrushes or clay. Instead, he uses large collections of data and machine learning algorithms to create mesmerizing and dynamic installations.
Mass is a site specific installation project by Carson Davis Brown about creating visual disruptions in places of mass. At an intersection between Street Art and Land Art, installations are made without permission, using found materials within the retail landscape.
To shed light on the essential workers who are healing the sick, stocking our groceries, delivering our packages and cleaning our streets, there is a new political art campaign called Immigrants Are Essential. It’s a project of non-profits Resilience Force and the National Immigration Law Center.
Photographer Gabor Nagy took his new drone with him on an adventure to Tuscany, to see if he could capture this instantly-recognizable Italian landscape from a different perspective. The result was a beautiful series of eye-catching aerial photos called “Tuscany from Above.”
This Hotel lists hotel, hostel and bed & breakfast recommendations from trusted experts like New York Times, Lonely Planet, Fodor’s, Frommers, CNN and many more.
In this hand-drawn animation by Johan Rijpma a line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary, the extrapolation of movement is causing deformation in a systematic but speculative way.
Though color film had already been used for decades, it was considered crass by the heavyweights of black-and-white photography and was most often used in advertising or by amateurs. Shore is often included in the cohort of artists that brought about the rise of color in the 70s, but not given credit for his prescience.
What do we mean when we call an artwork a masterpiece? Who gets to decide what becomes one? Who makes them? And is it still a constructive label to dole out when we talk about art? What Makes a Masterpiece?
Newnan had prided itself on its quiet charm. It offered small-town living just 40 miles southwest of Atlanta and had earned the nickname “City of Homes” for its antebellum architecture. The town decided to use art to help the community celebrate diversity and embrace change. Not everyone was ready for what they saw.
JR’s latest project is one of his best of the year, a massive “mural” within the walls of California Correctional Institution: Tehachapi in Southern California. The mural depicts the current and former incarcerated men, as well as some of the prison staff, on the ground within the prison.
The Ripples of Time Sand Clock allows natural materials to be shaped by time, reminding us of its presence. The installation consists of two complementary clocks; Sand and Water. Sand, inspired by Zen Gardens, is the gradual formation and flattening of a ripple pattern over a period of twelve-hour cycles.
A mob of thousands attempted to storm a theater over a performance of Macbeth, the National Guard had to be called up, 31 people were killed and more than 100 wounded all over the personal jealousies of two vain and insecure actors. This is the story of the Astor Place Opera House Riot of May 10, 1849.
It’s called ‘San Francisco’, and it was taken in Alamo Square Park in 1956. It is an unruly and liberating photograph, both loaded and elusive, and quite unlike any picture that had ever been published before, at least in an art setting.
As New York’s famous mid-century photographers set out to capture the city in shades of black and gray, Saul Leiter rendered its unassuming details in expressive color. Except for his inner circle, no one saw Leiter’s personal color work until toward the end of his life.
Deanna Dikeman’s parents sold her childhood home, in Sioux City, Iowa, in 1990, when they were in their early seventies. They moved to a bright-red ranch house in the same town. Dikeman, a photographer then in her thirties, spent many visits documenting the idyll of their retirement.
An art therapy project in an Alaska Native village helps teens talk about suicide in their community. By offering helping hands to their peers, these young people are learning to believe in themselves and preparing to guide their communities and cultures into a new era.
When a thief stole a multimillion-dollar painting by Vincent van Gogh from a small museum in the Netherlands, Octave Durham almost immediately found himself a person of interest. “It’s not a coincidence, because most of the time I did it. But now I’m retired.”
One of the most well-known, influential, and transcendent artists of post-war Japan, Tadanori Yokoo has one of the best styles of psychedelic, meets graphic design, meets poster art, meets traditional printmaking you will ever see. He has had numerous retrospectives over the years.
Singapore-based mixed media artist QimmyShimmy uses polymer clay to craft baby figures and sugary treats that blend fantasy and reality in interesting and often disturbing ways.
Banksy’s team of reindeer painted on a wall in Birmingham’s Jewellery Quarter, pulling a bench that homeless people use as a bed, is rightly popular. Rather than exploit ‘the homeless’, this painting empowers rough sleepers to draw attention to their individuality.
More and more rich people are buying art and stashing it in strange places. According to infamous scammers, it’s not even close to legit. In some respects, it mirrors the giant pools of money sloshing around in Manhattan or London real estate—funds that are relatively concentrated in a few hands spending it in a few places.
Where do we go when we dream? This surreal territory has proved fertile ground for a new generation of contemporary artists working at the intersection of architecture, interior design, and technology. The dreamscapes of these creations offer an intriguing insight into a new movement in digital art.
Forget snakes on a plane. Copenhagen has snakes, really big ones, on a bus. Crushing the entire bus, in fact. Bates Y&R art director Peder Schack squeezed the award-winning idea out of his brain to “make the most possible impact for a very small budget.”
A handful of companies like Coca-Cola, 3M and Cadbury, have pushed the boundaries of intellectual property law by laying claim to individual colors. But is it really possible to “own” a color?
Italian artist Peeta combines elements of graffiti and abstract art to paint murals that appear to morph and dissolve architectural structures. Abstract shapes swirl around and cut into walls to form M.C. Escher-like scenes that play tricks on the eyes and change depending on the viewing angle.
Photographer and former editor of Interview magazine Bob Colacello remembers a different age of celebrity, art and popular culture within Andy Warhol’s orbit.
Inigo Philbrick made his money betting big on a rise in price for a few artists, notably Stingel, who is known for his seemingly endless series of indistinguishable paintings of wallpaper, and Wool, whose most famous text painting fittingly spells out the word FOOL.
From seasoned animator Carlos Baena (ILM, Pixar) and a crowd-sourced community of over 100 people, “La Noria” tells the tale of a grieving young boy who one day encounters dark creatures that turn his life upside down.
French artist Lise Grossmann has created a humorous way to keep your favorite people close. She creates custom temporary tattoos of peoples’ faces that you can wear on your own skin. She has created over 10,800 portraits for people all over the world.
Institute’s collections are helping to provide an understanding of how global warming affects specific locations. Paintings of Venice show rising sea levels and tracking France’s vanishing Mer de Glace in paintings and daguerreotypes.
Namibia-born artist Max Siedentopf’s desert art installation plays the ’80s anthem on loop somewhere in Africa’s Namib desert, an arid expanse of sand dunes and gravel planes measuring over 31,000 square miles along the coasts of Angola, Namibia, and South Africa.
While photography was central to Warhol’s artistic practice for 30 years, often as source material for his famous screen prints, his purely photographic works — in particular, his stitched gelatin prints of a single image printed multiple times and sewn together — only saw the light of day once while he was alive.
“Dirty Machines: The End of History” a highly polished sci-fi teaser for a longer-form series that envisions a future where time travel has become a form of tourism. It’s stylish, but beyond the undeniable aesthetic panache, Matthew Olson’s film feels completely transformative as a world-building exercise.
Looking at Nao Tatsumi’s tranquil paintings, it’s evident that the Japanese artist has a background in architecture. The Tokyo-based illustrator and artist turns to the web rather than the outdoors for inspiration, fascinated by the impartial gaze that Google’s location tool offers.
Ficre Ghebreyesus had no art gallery representation during his lifetime. Now his widow is working with Galerie Lelong in New York to show the work that summed up his search for identity.
Since the early 20th century, posters have been created by Organising Committees of the Olympic Games to promote and advertise this major sporting and cultural event. Tokyo 2020’s official posters have been created by internationally renowned artists and designers
A brilliant 2008 campaign by World Wildlife Fund (WWF) has been resurfacing. The campaign, called WWF Japan – Population by pixel, was created by the agency Hakuhodo C&D / Tokyo. Inspired by their work, Imgurian JJSmooth44 made a follow-up to their project and it’s just as powerful as the original.
William Eggleston is often referred to as the godfather of color photography, and with good reason: he is largely responsible for raising the status of color photography to that of an art form, where previously it was relegated to the realm of advertising.
Thieves stole an 1884 oil painting by Vincent van Gogh called “The Parsonage Garden at Nuenen in Spring” from the Singer Laren art museum near Amsterdam. What do the criminals do with a stolen painting, and how could they get caught?
The deck was originally created for the 1970s James Bond film Live and Let Die, starring Roger Moore and Jane Seymour, but it never appeared in the picture. Now, Dalí cards are available to all in Taschen Books‘s reproduced edition of the deck.
